Musition in kingsman 21/31/2024 ![]() ![]() In Snow White and the Huntsman, the only way the fairytale could end was with our pale-skinned heroine killing the story’s antagonist. Justice has been served and the plot can finally reach a satisfying conclusion. Firstly, if it’s a villain then we, as an audience, receive some catharsis. ![]() The death of a major character can be beneficial for a number of reasons. Harrison Ford and Carrie Fisher’s characters are torn apart by death in Star Wars: The Force Awakens. As Annie screamed: “This isn’t fair!” It’s having your cake and eating it on a grand scale. Last week, Taron Egerton tweeted a teaser poster for Kingsman 2 that suggests Colin Firth’s character will be making a miraculous recovery from a bullet to the head, while we’ve also just seen Charlize Theron’s Evil Queen survive her death by becoming part of a magic mirror in The Huntsman: Winter’s War.Įxpecting clear logic and rationality from films that have tie-ins with soft drink brands is a somewhat fruitless pursuit, but it’s still disappointing, given the teams of writers who often work on franchise films, to see so-called cheats taking place. She would have got in a lather over the return of Bobby Ewing, casually taking a shower despite being dead, and would have started wielding a sledgehammer as Harold Bishop returned to Madge even though he was lost at sea.īut unlikely resurrections, as ridiculed as they may be, have persisted, and not just on the small screen. It’s therefore unlikely that Annie was a fan of soaps. ![]() Naturally.In one memorable moment of Oscar-winning outrage, she took aim at characters coming back to life and the outlandish mechanics that are used to explain how this could happen (“He didn’t get out of the cockadoodie car!”). Only Eggsy and Scottish handler Merlin (Mark Strong) remain, though their quest to root out their attackers soon leads them to their US counterparts, the Statesman, in Virginia, and from there to Cambodia via the Glastonbury music festival. Now fitted with a mechanical appendage he calls "Arm-ageddon", Charlie's bionic punches land like tender tickles compared to the devastation to come, as all of Kingsman's properties and most of their agents are wiped out by missiles. Poppy is guarded by two robot dogs and an army of lugheads whose ranks include Eggsy's foe in that opening cab fight – it is none other than Charlie (Edward Holcroft), one of the posh Kingsman applicants of the first film who Eggsy beat out. She plays Poppy, a smiley, creepy, childishly cheerful drug kingpin whose lair deep in the Cambodian jungle is a spick-n-span recreation of '50s Americana replete with bowling alley, salon and Buddy Holly playing on the diner's jukebox. Jackson so exuberantly shouldered in the first movie. This time out, Oscar winner Julianne Moore essays the world-threatening villain duties that a lisping, garishly wardrobed Samuel L. Alas, nothing that follows musters quite the same verve. Gleefully violent and cheerfully gobbing profanities at every sharp left turn, it traced the rocket-fuelled trajectory of chav hero Eggsy (Taron Egerton), plucked from the mean streets of north-west London by gentleman spy Harry Hart (Colin Firth) and inducted into the titular society of secret agents.Ī pedal-to-metal joy ride, Kingsman: The Secret Service scored $414m worldwide, meaning this sequel, Kingsman: The Golden Circle, was inevitable… and is no doubt the first of many.īut how do you recapture the surprise thrill of that first hit? Well, judging from the eye-saucering, jaw-plummeting opening scene, with ease: held at gunpoint in a speeding black cab, a tuxedoed Eggsy sets about his escape, first engaging in a ferocious backseat brawl that somehow spills onto the roof of the car, and then by seeing off a fleet of chasing vehicles peopled by goons poking out of sunroofs to spray lead from machine-guns.Īudaciously choreographed, seamlessly CGI-augmented and riddled with as many humorous beats as bullets, this screeching set-piece almost – almost – matches the infamous church massacre and exploding heads climax of the first movie. Back in 2014, Matthew Vaughn's Kingsman: The Secret Service, an independently financed $80m production based on a comic book by Mark Millar, scripted by Jane Goldman and distributed by 20th Century Fox, crashed into cinemas like James Bond's noisome nephew.
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